These effects, in conjunction with sensory reaction(s) to other physical differences (such as phase differences) between perceived sounds, are responsible for the ability of listeners with two ears to accurately localize sounds coming from around them. “The Haas effect is a psychoacoustic effect related to a group of auditory phenomena known as the Precedence Effect or law of the first wave front.

We copied a part of Wikiaudio’s article on the matter right under the picture if you’d would like to read more about the Haas effect Choose if you want to use the right, left or the stereosignal.Haas panning is a great way to add stereo field and depth to your mixes.

At least not in the stereo image, check your stereo level meter and you’ll find the energy is still exactly the same on both Left and Right channel. This is a simple Haas panner, it uses psycho-acoustics to make you believe the audio comes from either left or right (depending which way you pan… duh) but in reality the audio haven’t moved a single bit. It’s also emulates Tape Saturation which is ideal if you don’t have a tape plug in.This plugin is available at Patreon together with all our other goodies. Not strictly delay related but don’t forget the secret panel in Logic’s very own Tape Delay plug-in has a sneaky little distortion level control that’s great for driving the input of the signal. As the delay time changes the pitch of the delay also adjusts allowing you to tune the effect to the key of your track. This incredibly short delay time creates a weird reverb that can be adjusted by automating the delay time. Try placing a delay on your percussion channel with the feedback at 80% but the delay time around 10ms. This technique allows the most simple of sounds to be transported into an otherworldly space of weirdness and originality. This can be great for repeats that spill over that big drop or chorus. Tip: Try adding a side chain compressor after the delay to ensure the delays move and duck in time with your track. If you intend to explore extreme settings or just want the FX to controlled a compressor / limiter with a high ratio setting can ensure things don’t get too out of hand without you noticing.

Obviously compressors aren’t delays but I thought this was something that might be worth bringing up. See these iconic dub skills in action across our extensive library of Dub sample packs and loops. You never know, you might have just found a combination of settings that’s never been tried before. Often things happen you’d never expect and ensures your productions have a sense of originality. The interaction between the two often spits out results that you’d struggle to achieve with just one delay and the joy is in the unknown. Tip: Experiment swapping the order of the delays and changing one from mono to stereo, ping-pong and also experiment with dotted / Triplet settings. Ensure they have different delay times and different filter settings for things to get really crazy. Try stacking multiple delays on top of each other on an FX send in your DAW. What’s better than one delay you ask?! Two or three of course. Push it too far and sounds can become out of time or sound confusing. Note: Be careful when experimenting with this. Embracing the HAAS effect opens up a wealth of width within your mix when used properly.Ībleton Sample Delay. Tip: The further you push the sample delay the wider and more obvious the effect shall become. This craft tool allows us to delay the signal of one side of our audio creating the illusion that the sound, which was once placed centrally, is now off to one side. This simple technique can be applied to most delays that offer L & R delay flexibility but for this example we’ll use Logics very own sample delay. In this article I’m going to explore a few of my favourite techniques that should hopefully inspire you to explore, experiment and get creative. The simple go to affect that is the delay has become a staple in most producers’ selections but many overlook the sheer versatility of such a humble devise.įrom endless feedback loops to stereo width, adding space and dimension to false perceptions of panning the world really is your oyster.

Simple delay haas effect